Unicorn” whispers a butterfly passing by

Walking under the setting sun, a stroll into the mists of the passing day. Last light breaking through the branches of twisted trees along the path, the wind plays with the dust under my feet. I look over green pastures framed by wooden fences. And then there, as I glance towards an orange sun, a glitter sparks my curiosity. I stop and squint, raising my right hand to shade my eyes. The scent of horses lingers in the air. And beyond that pasture to the left a white horse watches me with eager eyes and ears. Underneath the sound of evening crows a nicker can be heard, gentle and soft. I move closer to the fence, a little over to the side, banishing the sun behind lofty trees. The white horse, it watches my every move, its ears shaking, its head slightly bobbing. There it is again, that glimmer, that shimmer, right above its brow. “Firefly,” I reason, “Unicorn” whispers a butterfly passing by. And so I stand and wonder, restrained by that wooden fence so that I may not advance. I wonder, I ponder.

And as I gaze in wondrous motion the sun slyly moves out from under it's place of banishment, takes flight, illuminating the air that now dances in its fading golden light. I look upon that distant sky, musingly and deep in thought, carried away to places beyond this time. And there again, a sparkle in that distant stable sparks my imagination like a long forgotten fable. “Unicorn,” but I am torn, “surely such thing was never born. Illusions of the dust, my senses I cannot trust.” But what if? Those eyes watching, those ears twitching, that calmness emanating, what else if not a creature so illusive could arouse such feelings so elating? But alas its master's voice calls from beyond my sight. And hence there's one final glance exchanged, one last sparkle bright. “Do you not wonder, tell me, wasn't it clear for you to see?” the evening breeze whispers in my ears. The white horse turns around, with elegant motion it disappears. And as a blackbird's call heralds dusk's arrival to my path I now return. Contemplating upon this encounter from afar, those feelings of the moment, I walk along and watch the appearance of a faint early evening star. “Monoceros, I can barely make out those stars of yours.”

 

Inspired by Peter S. Beagle's The Last Unicorn. I took this picture several years ago while taking a walk with my wife and friends through the Lüneburg Heath. We were on our way back to the car when I noticed this beautiful white horse watching us from its stall, or rather 'felt' it. It was one of those moments when one feels a strange sensation, a sudden and inexplicable connection.

As an avid hobby astronomer I also had to add a nod to my favorite hobby and close the story with the mentioning of the elusive Monoceros (Unicorn) constellation which is made up of faint stars barely visible to the naked eye. Be diligent or you may may miss it, just like the unicorn



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6 Comments

  • The “as if” atti­tude is a sure fire way to gain access to the imag­i­nal, where encoun­ters do occur. Just try to tell me I didn’t have last nights dream. My day is changes by it, and though it exists in the mar­gins aware­ness, it changes the course of today’s choices.

  • Thank you for your com­ment Richard. As a sto­ry­teller I am con­stantly con­cerned with the “as if” and “what if”, just like in this par­tic­u­lar story. It was just a white horse, but what if? This atti­tude can turn any ordi­nary encounter into some­thing more, a real expe­ri­ence. And isn’t it often more about how we expe­ri­ence some­thing rather than how it “really” is? That’s what makes life so inter­est­ing to me, those per­sonal expe­ri­ences, per­cep­tions, imag­i­na­tions. I know what’s real but I enjoy expe­ri­enc­ing that which my imag­i­na­tion can add to it.

  • What a gor­geous shot, and yes, I think I under­stand that feel­ing you describe here. I have to admit I never read the book, but boy, I loved the ani­mated Last Uni­corn movie as a kiddo. Thanks for stir­ring up a cou­ple of nice memories!

    mchen´s last blog post..The Art of Self-Publication (times three)

  • Thank you Emily. I’ve never fully read the book myself (I will one of these days) but I did read quite a lot about Peter him­self (authors gen­er­ally inter­est me). He is cur­rently work­ing on a full length novel sequel to the Last Uni­corn, which I am very intrigued by (and he’s writ­ten quite a few other inter­est­ing sto­ries). He also pub­lished a coda to the orig­i­nal story called Two Hearts.
    I learned a few years ago that he’s strug­gling finan­cially due to mar­ginal roy­al­ties and cer­tain peo­ple that didn’t ful­fill their con­trac­tual oblig­a­tions (for The last Uni­corn movie as well as The Lord of the Rings ani­mated fea­ture he was involved in). The Last Uni­corn is one of those child­hood sto­ries that stayed with me because of it’s beauty and sen­si­tiv­ity (sim­i­lar to The Nev­erend­ing Story, which I read cover to cover). Here is some more infor­ma­tion: http://www.conlanpress.com/youcanhelp/. He’s also been try­ing for years to get a live action ver­sion of the movie put into pro­duc­tion (here is the web­site: http://www.the-last-unicorn.net/intro.htm).
    I think he deserves bet­ter than that, espe­cially con­sid­er­ing the enor­mous suc­cess of fan­tasy writ­ers and movie pro­duc­ers who have been inspired by him. I like to pro­vide what­ever hum­ble sup­port I can offer. To me it’s all about imag­i­na­tion and writ­ers like Peter really “get it”.

  • I never read the book and hadn’t even heard of The Last Uni­corn until around 2003 and I’ve been a fan ever since. It’s such a touch­ing film which I think lacks in so many ani­mated fea­tures today com­ing out of Amer­ica. There are feel­ings of melan­choly, pain, love, respect, admi­ra­tion, part­ner­ing, long­ing, hope in this movie yet most of what is out there today seem to draw up on a lim­ited range of emo­tions for me. The ani­ma­tion, while more impres­sive than per­haps what was on screen years ago, is not the end all be all for me per­son­ally. I wish ani­ma­tion and good story-telling would stay neck to neck vs. good story-telling usu­ally 5 miles behind.

    Recently I watched Disney’s “Bolt”. It’s such a cute film, the ani­ma­tion is gor­geous and the char­ac­ters are com­i­cal and fun to watch. There is, how­ever this lack of depth to the whole story and though I’m not knock­ing the movie because I now own it on DVD, the emo­tions it drew up in me were all pretty sur­face. I didn’t walk away really THINKING about the life les­son learned. In ret­ro­spect I guess the only point in the movie was to show the love between a girl and a dog and that smoke and mir­rors movie mak­ing is a pretty plas­tic world devoid of any real­ity with some pretty greedy agents push­ing young actors to not be hon­est and authen­tic, rather to lie to those they love in order to main­tain some image. In the end Bolt and his “per­son” ends up in what appears to be an “aver­age” life in a house in what appears to be the mid­west. I wish the end­ing would have been that the main char­ac­ter fires her agent and launches her own pro­duc­tion com­pany cre­at­ing movies of her own accord­ing to “her” rules. I mean, why is it that main­stream cul­ture teaches us that greed is the ONLY way and if we don’t want to be part of that way then we should go live in a coun­try house as a recluse and/or give up our career entirely?

    Hmmm.

    Sorry for ram­bling. What are your thoughts?

    Holly

    holly´s last blog post..Toast {Spring 09}

  • Hey honey : ) I think “Bolt” is a good exam­ple of a typ­i­cal mod­ern fam­ily enter­tain­ment movie. It’s like a big sun­dae — fun while it lasts but it basi­cally has no nutri­tional value. While The Last Uni­corn cer­tainly isn’t the best ani­mated movie of all times it does touch on many emo­tional aspects such as grow­ing older with­out see­ing our dreams ful­filled, try­ing to find our way in a world that appears alien to us, deal­ing with feel­ings that we’ve never expe­ri­enced before, show­ing com­pas­sion and under­stand­ing for oth­ers, believ­ing in our own worth and our strength, learn­ing to sac­ri­fice things for the greater good and so forth. It’s all pre­sented in a very whim­si­cal and nicely scored (musi­cally) pack­age (I have to add that it was par­tially a Japan­ese pro­duc­tion as all the ani­ma­tion was sub­con­tracted to Topcraft whose core mem­bers soon after became the famous Stu­dio Gibli; it def­i­nitely shows). Also, the author’s involve­ment in the pro­duc­tion of the movie tremen­dously added to the appeal. In my opin­ion Hol­ly­wood is lack­ing good writ­ers these days. It has all become too shal­low and FX dri­ven. So yes, we def­i­nitely need more sub­stance, more depth, less focus on pro­duc­tion.
    Regard­ing “Bolt” I think Dis­ney had a decent idea (though a bit overused) but the story, in it’s exe­cu­tion, just really con­tra­dicted itself. Appar­ently Penny and her mother (who looked all too stereo­typ­i­cal, and where was dad?) do live out “the rest of their lives” (hap­pily ever after?) in a quiet town with Bolt, Mit­tens and Rhino, escap­ing the “evil clutches” of Hol­ly­wood exploits. But given that Miley Cyrus voiced Penny really raises eye­brows for me, it couldn’t run more polar oppo­site I think. Con­sid­er­ing too that the movie had a pro­duc­tion bud­get of about $150 mil­lion makes me won­der even more as to where all the money went (to). It cer­tainly didn’t have the last­ing impact of a movie like The Last Uni­corn. This is what I am per­son­ally look­ing for though, some­thing that speaks to me, at any age, that moves me, touches me and trans­ports me and in some respect even changes me. Not all sto­ries can and will accom­plish this (and they don’t have to) but I cer­tainly look for them.

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