Archive for the ‘Musings’ Category

The curious case of a little old book – Part 2


18 Feb

Last year I related the story of an unusual find in a post titled “The curious case of a little old book”. I’ve had purchased a copy of the Roycrofter’s edition of Aucassin & Nicolette which also, unexpectedly so, contained a small gift note. Upon further research it turned out the book was originally bought by a famous Victorian era actress, a certain Clara Morris (Harriot). Since this post is going to build upon information provided in the previous one I recommend reading the original post first if needed (there is a link back to this article at the end). I originally planned on presenting this second part much sooner but for various reasons always got delayed, until now.

After unraveling the fascinating story behind the aforementioned note I decided to take my sleuthing a little further and try to find interesting items relating to Clara Morris. So I went back to eBay and started searching. There were quite a few interesting items to be found:

The first thing I came across was a CDV, a carte de visite or “visiting card”. These types of small, carded photographs became rather popular in the latter part of the 1800s and turned into collectibles that were often traded similar to baseball cards and such in more modern times. This particular CDV was produced by Sarony at 680 Broadway in NYC. There is no date printed but by the looks of it it seems to date from the mid 1870s. The clarity of the photo is quite astounding as is the depth of field. It can be seen on the right in the photo above. Further details regarding CDVs can be found here.

Next I found some type of trading card, this time a portrait rather than a photograph. It’s roughly the same size as the CDV but unfortunately has no date indicated either (probably also mid 1870s). It was made by Union Novelty Co. in Montpelier, Vermont. It’s advertising “The Favorite Pictorial, Defining and Pronouncing Dictionary of the English Language… neatly bound in Cloth and containing 320 pages.” It can be seen on the left in the photo on top.

Of course one of the most interesting items to find would be a play bill or any sort of program of one of her shows. Luckily such an item was up for sale, and not just for any theater but the Boston Theater. Given that I’ve lived around Boston that was a great find. “The Ray” was the official program of the Boston Theater and was published daily by H. A. M’Clenen. This issue dates from Monday, May 7, 1877, and advertises “Clara Morris, The Greatest Living Actress” in the play “Camille – Or, The Fate of a Coquette”. The author had the following to say:

“Clara Morris, This great actress, of whom it is said that she “fills the widest space in the public eye and the warmest corner of the heart of every lover of the drama in America,” will be with us for a brief season only, and will repeat the role of Camille every evening of the week (except Saturday), and on Saturday afternoon. During her stay she will produce “Miss Multon,” a grand play, dealing with a phase of human passion that touches an answering chord in every heart. Hoping to achieve success from the favor Miss Morris has commanded wherever she has appeared, other actresses have presented versions of “Miss Multon,” which compare with hers as thinnest veneering does to solid mahogany.” *Notes

Adding to this praise is a poem simply titled “Clara Morris”, written by a certain G. C. Howard of Cambridge, Massachusetts (I am assuming this is actor George C. Howard, later manager of the Howard and Foxes theater troupe whose repertoire included a rendition of Uncle Tom’s Cabin. Some details here):

“When Clara Morris treads the stage,
A queen commands the mimic scene;
This brilliant genius of the age
Paints what will be and what has been.

Yes, the fierce passions of the soul,
That sway the human heart through time,
Her magic powers so control
As render the effect sublime.

Society’s frail, fickle train
She illustrates with charms that please;
The proud her art cannot disdain;
The humble, near her, feel at ease.

As suffering “Multon,” her tones move
And set the heart and soul on fire;
Till, crushed by unrequited love,
We pity, weep, and then admire

Sensations gain from her their dower,
Which so enrich us through the play;
Even illness fails to check the power
In this great actress of the day.”

Well, even Oscar Wilde proclaimed once “Miss Morris is the greatest actress I ever saw, if it be fair to form an opinion of her from her rendition of this one role. … We have no such powerfully intense actress in England. She is a great artist, in my sense of the word, because all she does, all she says, in the manner of the doing and of the saying constantly evokes the imagination to supplement it. That is what I mean by genius. We have no one like her.” Judging by all this reverence Clara Morris must have been an actress comparable in fame to perhaps a Meryl Streep today.

Now that I had acquired the program I also wanted to see if I could find any of the books and stories Mrs. Morris had written. While most of them deal with stage life and her experiences with the theater I did come across several short stories she’d written. I randomly selected one, published in “The Ladies Home Journal”, August 1898. The title didn’t really deter me, I figured my wife could find something interesting in it as well, so I purchased the copy. It contains a story titled “The gentleman who was going to die” which sounded intriguing. To my surprise it turned out to be somewhat of a murder mystery written from the perspective of two children. Strangely enough it reminded me of the Enid Blyton stories I used to read as a kid – now there’s a coincidence. It’s actually very well written with a nice old fashioned voice yet quite modern at the same time, it kept my attention all the way through. It’s a great read and you can find a copy of it here. So my sleuthing was crowned by a sleuth story written by Clara Morris, very fascinating. **Notes

Unfortunately Clara Morris’ health deteriorated quickly in later years and complete blindness overtook her in 1910. She also lost most of her wealth as well as her house in which she had resided for 37 years. She died on November 20, 1925, aged 76. As life has it many stories don’t have a happy ending. Even so, here someone’s life lived long ago had suddenly intersected with mine, made me think and ponder a few things. Initially I was reminded of something I read in the bible once (bear with me for moment) – Ecclesiastes 9:10:

“Whatever your hand finds to do, do it with all your might; for there is no activity or planning or knowledge or wisdom in Sheol where you are going.”

Fact is nobody knows what the future holds, not with absolute certainty, regardless of how fantastic our technological progress is. I don’t know what next year will bring, next month, tomorrow – I do not even know what the next 15 minutes may hold. But we can all create positive memories. Rather than spending considerable amounts of time with any sort of negativity – grudges, regrets, resentments etc. – wouldn’t it be better to always try to do things “with all our might”? This isn’t just about what we do for ourselves but also about what we do for others as well as what we’ll leave behind.

My wife and I discussed this one time while walking through a museum. “They don’t make ‘em like that anymore,” was our consensus while looking at just common household items. And it’s not just about our mass production and throw away items. Even more so it’s about the increasing virtualization of our lives, and I include myself in this. It’s great to write emails, communicate with people around the globe instantly and having a computer to quickly commit my thoughts to – certainly much faster, and more legible, than handwriting (well, for me anyway). But that also means there is no note for someone else to find in the future, a little “thank you” or “how are you” or “get well” included with a nicely bound book given to a friend, a book that maybe some stranger will acquire in the future, find the note and wonder who the person was that wrote it. Of course I did all my research online, so this isn’t about condemning technology. But it is about the little things, the ones that make all the difference. And it is about living consciously here and now so that there is something to look back on and say “yes, I remember, I put my whole heart into it.” And even further down the road for someone else to maybe say “what an interesting person that was.”

On a personal note I can say that the results of this research motivated me once again to seriously consider writing and publishing all the stories in my head. It’s always been a struggle for various reasons but after reading “The gentleman who was going to die” I instantly felt like “yes, go for it.” What sort of stories? Well, detective stories of course, my dear Watson.



* In addition the program contains some rather curious advertisement typical for the times such as “Lame Back and Rheumatism cured by Collins’ Voltaic Plasters” with the almost expected declaration “NOT A QUACK NOSTRUM.” (yes, all in capital) or “Sanford’s Radical cure for Catarrh.” Very charming is also the following Ad: “IMMENSE SLAUGHTER. 200,000 BOOKS. I, A. W. Lovering, have commenced war on the prices of Books, and shall slaughter 200,000 volumes of the choicest literature of the age at TREMENDOUS BARGAINS!” Like some examples of what’s on offer? “Dickens’ Diamond Edition, 14 vols., $4.50.” Or how about “Longfellow’s Poets and Poetry of Europe, full gilt, $2, former price $5.” And also “Tennyson’s Poems, cloth, new and complete edition, 25 cts.”
Then there is also the “Rayscrapes”, a collection of little jokes and anecdotes such as “A rhetorical monster – the whale, for he is always spouting” or ”A Hotel is advertised as “kept by the widow of Mr. Brown, who died last summer on a new and improved plan.” The latter would fit perfectly in a new edition of “Eats, shoots and leaves”.
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** There was a fascinating Ad for the photographer in me in that issue, the “New Pocket Kozy Camera”. Yes, a pocket camera in 1898. You can read more about it here.
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It has been some time


03 Jul

Idyllic times, originally uploaded by Thorsten Becker.

Some time has passed since I last wrote on my blog as I was taking an inspirational break. Now that I felt it was time again to continue I thought about all the many things time is and does even though it is neither an entity nor a tangible resource. Consider this: time is of the essence, time is needed, time can move swiftly, or slowly, time can pass without us noticing, time can heal all wounds even though it is not a doctor, time is precious even though we can’t touch, produce or harvest it. We often need more time, we frequently wonder where time went even though it doesn’t go anywhere. We can have good times and bad times, we can have the time of our life or the worst time of it all. For those very precious moments time even stops but sometimes there just isn’t enough time. At times we wish we could buy more time or sell some of our own. Over time things can grow, mature and fully ripen while they can also decay and cease to exist. Time can reveal the true meaning of something but things can also be lost in time. Certain things and people may be stuck in time while other are ahead of their time. Time can be measured yet it has no breadth nor depth. Time can be cruel, ruthless and unforgiving. Time marches on without any regard for us yet time can be on our side. The word time is very dominant in the English language such as in sometimes, many times, multiple times, x times y, time and again, etc.

Time is indeed a most curious thing that we desperately try to define and grasp yet it consistently eludes us. What I take from it all personally is to ensure I always buy out the opportune time and make the best of any situation. Because time only moves forward and so do we.

A note about the photo: For many years I’ve wanted to own pocket watch thus finally I thought it was – time – to purchase one. So I went treasure hunting on eBay and found this fully functional English fusee watch manufactured in 1856, housed in a sterling silver case (fully hallmarked English silver), at a very affordable price. The seller I purchased it from resides in England and guarantees all his watches as he services them himself. If you are interested in one have a look at his auctions. I will be posting pictures of the movement in the future; I also plan on using it as a prop for my Lucian story (which I am very determined to publish in the near future).

The book the watch is resting on is Lord Alfred Tynneson‘s “Idylls of the King”, this edition published around 1906 and illustrated with Gustav Dore’s illustrations from an earlier Moxon edition. I am very much looking forward to taking time out, once I find the time, to read it. I am sure I will have a good time.

The curious case of a little old book


16 Apr

Do you enjoy detective stories? Have you ever wanted to be a sleuth yourself? I can answer both questions with “yes”. Growing up I listened to quite a lot of audio books, mostly Three Investigators, Famous Five and TKKG. And of course I would go out and play sleuth myself. This fascination with finding things out, with researching and discovering clues led to working as a journalist for many years, writing all sorts of reviews, features and columns regarding computer software and technology. And to this day I research anything that sparks my interest. I have come across many interesting discoveries over the years but none quite compare to my latest.


“Then speak they, say they, tell they the Tale:”

In July 2008 I purchased an antique book titled “Aucassin and Nicolette” on eBay. It was not a deliberate purchase but rather one out of curiosity; I collect old books and frequently browse eBay to see if there is anything that sparks my interest and that I can get for a reasonable price. At that point I had never heard of this particular story and was interested in reading it as the listing described it as a poetic and romantic story from the 13th century. The seller also mentioned that it was made by the “Roycrofters” in Aurora, NY, as a limited edition, printed in 1899. I researched the publisher and learned that the owner, Elbert Hubbard, founded Roycroft Press (a business within the Roycrofters community) primarily to publish his own books (such as the “Little Journeys” series for which he could not find a publisher) but also created some very beautiful limited runs of various pieces of world literature (for example Heinrich Heine‘s “Book of Songs”). One of Hubbard’s most enduring works is his essay “A Message to Garcia”. He was also a primary driving force behind the Arts and Craft movement of the early 20th century and founded the Roycroft community as part of this movement. Sadly, he perished together with his wife, Alice Moore Hubbard, aboard the RMS Lusitania in 1915, the British ocean liner sunk by a German U-Boot. You can read more about Hubbard and the Roycrofters here.


“Then speak they, say they, tell they the Tale:”

When I received the book I foremost admired it’s craftsmanship and remarkable beauty. It is wrapped in very soft suede, embossed with the title characters on the cover, and has aged beautifully displaying an earthy green rub on the front and the back. The pages are printed on thick handmade paper which are stitched together and fastened with golden satin to the inside flaps. There are several hand illuminated initial letters which still look prestine, as if they were done yesterday. The book opens with the poem “Provencal Lovers” by Edmund Clarence Stedman, printed using green ink. Also, on the very first page is inscribed the name of the original owner, one Miss Josephine Harriott. And as I browsed through the pages a small card fell out, handwritten and signed by one Miss Clara Morris Harriott. I concluded that this book was a gift of the latter to her close relative but did not really read the card but rather stuck it back inside. As I was rather busy at work back then I decided to hold off on reading the story until I had sufficient time to appreciate it.

More time went by than I anticipated and the book remained in my nightstand for several months until I finally got around to read it, about a week ago. Naturally I did some research on it and found out that the story originated in France (orig. Aucassin et Nicolette). It is called a chante-fable or “sung story”, a combination of prose and song. This is clearly evident in the book as the prose is introduced via “Then speak they, say they, tell they the Tale:” while the songs, which immediately follow the prose parts, are indicated by “Here singeth one”. The author of the story is unknown and it is the only surviving chantfable despite the fact that it once was a rather popular literary tradition. “Aucassin and Nicolette” is considered a piece of romantic adventure (today’s The Princess Bride comes to mind). Wikipedia summarizes it as following:

The major characters are Garin, Count of Beaucaire, his son Aucassin, and Nicolette, a Saracen slave girl. Aucassin and Nicolette desperately want to marry, but Garin forbids it and imprisons the lovers, though they both eventually escape. After many romantic and occasionally farcical adventures, the young lovers are wed. Nicolette is revealed to be a Saracen princess of the noblest ancestry.

Many incidents in the story are clearly meant to be humorous, such as an encounter with a pregnant king, though there are occasional serious passages. At one point Aucassin participates in a ridiculous “war” in Torelore, which is fought with rotten crabapples, cheese, eggs, and mushrooms. On the other hand, Nicolette frequently faces real danger in the search for her lover. Perhaps comedy and seriousness merge most notably in Aucassin’s speech that he would prefer hell to heaven because hell’s inmates are likely to be more entertaining.

I very much enjoyed the story, I really felt transported to a time of chivalry and adventure, especially considering that it was written at exactly that time in history, probably by a minstrel who performed his work at various courts. As I read the story history came alive. It was all the more enchanting reading it in traditional verse – the Roycrofter’s version uses Andrew Lang‘s translation from 1887 which apparently is very close to the French original in its poetical structure. I highly recommend reading his version, though caution that one must be familiar with Shakespearean style English (Early Modern English) as it can otherwise become rather confusing.

After I finished reading the book I remembered the little card again which I had kept tucked away in the front. I pulled it out and tried to decipher the handwriting, which wasn’t too difficult. The note reads:

Dear Phine,

Thank you so much for your pretty art and gift and the mistletoe too. I am thankful to hear that brother Sam is doing so well – that’s the best gift of all – keep him out in the good sweet blessed air. May you all enjoy your trip.

My health is pretty bad – I never get one whole week without a break down of some sort!
Love and thanks dear and a Happy New Year to you all

Clara

There is also some printed text: Clara Morris Harriott, The Pines, Riverdale.

I figured I search the Internet to see if there is maybe any indication of who this Clara Morris Harriott may have been. I didn’t expect any results, after all this was a long time ago, the book was printed 1899 so I assumed the New Year mentioned may be 1900, and there would probably be no public records or articles anywhere. But I am a sleuth and I had to give it a try.


“Then speak they, say they, tell they the Tale:”

Lo and behold, there are articles. And more. It turned out Clara Morris Harriott was a famous actress in the late 1800s! I verified every detail, of which I had sufficient thanks to her little card. Yes, it was exactly this Clara – her husband Frederick (Fred), his sister Josephine (Phine) and his brother Samuel (Sam), Clara’s failing health, her residence at The Pines in Riverdale, NY, it was all right here. And so I went on to read about her life and struggle, her rise to fame, and eventual diminish, the books she’s written and her old age in poverty. And suddenly the already special book I purchased out of curiosity became a treasure that I would not want to miss anymore. It is now one of my most prized possessions on my bookshelf. One additional bit makes it all the more fascinating and that is that Oscar Wilde saw her on stage and proclaimed: “Miss Morris is the greatest actress I ever saw, if it be fair to form an opinion of her from her rendition of this one role. … We have no such powerfully intense actress in England. She is a great artist, in my sense of the word, because all she does, all she says, in the manner of the doing and of the saying constantly evokes the imagination to supplement it. That is what I mean by genius. We have no one like her.” Oscar Wilde is one of my wife’s favorite writers!

If you like to learn more about Clara Morris Harriott as well as see pictures of her please have a look at this very encompassing biography. There is also a recount of her meeting John Wilkes Booth, Lincoln’s assassin.

We may forget, but paper doesn’t. Keep this in mind, especially in this evermore virtual world of ours. eBooks cannot be signed, dedicated, special, limited or ever contain such special little mementos.

I’ve also posted a follow-up titled “The curious case of a little of book – Part 2″. You can read it here.

Abenteuer einer kleinen Maus


16 Mar

Abenteuer einer kleinen Maus – Adventures of a little mouse was the title of a story I wrote back in high school. It was a writing assignment by our German teacher, I believe in 7th grade. We received a general outline (a mouse and a cat living in a church) and had to come up with an interesting story. I ended up writing a rather imaginative short story (about four or five pages) about the adventures of the mouse and his friend the cat. When I handed it over for grading I thought it came out pretty good. My teacher (Frau Scharlach, which aptly translates to “scarlet fever”) disagreed stating that it was “just too imaginative, going too far off”. I don’t remember all the details but I do vividly recall all the red remarks she plastered all over my story. I was rather upset to say the least and got into a heated argument with her afterward (I never take no for an answer). “Imagination” was apparently not in her vocabulary.

Note to teachers: Imagination is the lifeblood of a well functioning society. If our imagination is crippled we cannot find creative solutions to challenging problems, cannot feel with others and cannot contribute anything new. Where does this lead us, or leave us?

For all those who value imaginative stories have a look at The Little Good Mouse, a classic French fairy tale by Madame d’Aulnoy.

Value and worth


03 Mar

Value and worth, originally uploaded by Thorsten Becker.

Say, how much do you think you’re worth? Maybe $8 an hour? Or $50/h? Or $150/h? How about $45,000 a year? Or $100,000? I think you can tell where I am going. There are several value systems we’re dealing with frequently, the most influential being our income. How much we are worth to our employer is measured by our salary. And if we’re unemployed it is measured by our previous pay rate and the currently applicable unemployment payout. And if we’re self employed? Then we have to measure ourselves against those with similar products/services/offers and judge that against what we feel our time and effort may be worth. There is literally a price on our life, but is this really what we are “worth”? Let’s see what the word “worth” means. Merriam-Webster defines it as following:

1 a: monetary value – ‘farmhouse and lands of little worth’ b: the equivalent of a specified amount or figure – ‘a dollar’s worth of gas’
2: the value of something measured by its qualities or by the esteem in which it is held – ‘a literary heritage of great worth’
3 a: moral or personal value – ‘trying to teach human worth’ b: merit , excellence – ‘a field in which we have proved our worth’
4: wealth , riches

As you notice each definition is directly connected to the word “value”. The more valuable something is the more it is worth. A diamond is worth more than a ruby. Gold is worth more than silver, a Ferrari more than a Toyota, a Renoir more than a local painter’s work. But what defines the value of each of these items? A diamond is more valuable than a ruby because it takes a lot more effort to extract (usually one carat of diamond per tonne of rock), it is harder and more durable than a ruby and once cut skilfully shines with an intense inner fire. Gold is scarcer than silver hence takes more effort to find. It does not tarnish and also has a sort of inner fire. Going over to the Ferrari, here we have a precision sports car that requires a great deal of skill to manufacture. This makes it also scarce, incurs high production cost and is therefore highly coveted as compared to a run-off-the-mill Toyota.

Now how about that Renoir painting, what makes it worth more than our local painter’s work? Is it his skill with the brush, his eye for detail, the paint he used? Wikipedia says about Renoir’s work:

Renoir’s paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings.

His initial paintings show the influence of the colorism of Eugène Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Édouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas’ sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher.

I greatly admire his paintings for the qualities mentioned above. But I equally admire the painting of a Mountain on a gray and rainy day that a distant relative (I believe my great granduncle) produced and that hung for decades in my grandparents’ apartment and is now in my possession. I equally admire the work of numerous modern illustrators such as Shaun Tan, Fred Gambino, James Paick, etc.; I own books showcasing their art. However, my chances of ever owning an original Renoir are rather slim considering that two of his paintings sold for over $70 Million dollars. Can I sell my relative’s painting for an equal sum? Impossible. How about that local painter’s work? Depending on his/her renown he/she may receive a few hundred to a few thousand dollars, but certainly nowhere near the millions. So is there any logical explanation for this vast difference in monetary value, say scarcity, skill or quality? Every original painting is scarce, it exists only once. There are many skilled painters and many display great quality work. So what could it be? Without getting into full psychological detail I’ll state ‘perception’ (I am also deliberately leaving out the whole ‘art as investment’ aspect). Renoir’s paintings are perceived as highly desirable. That perception entices those with great wealth to put a value on such paintings that far exceeds reason thus artificially creating an object of unprecedented value. There is a certain tangible base for this perception such as originality for its time, the age of the painting and the cultural value (here is some background regarding art appraisal). But on the most important level – the human level, the emotional level – there is no difference between Renoir’s work and that of talented artists that often struggle to garner any recognition.

Taking all this into consideration the conclusion is that your value, your worth is not tied in any form or manner to your income, your monetary worth. You are not worth less because you earn less than someone else of comparable skill (or in extreme ‘worthless’ if you earn nothing at this point). We may “know” this, claiming it to be common sense, but we often don’t actually consciously accept it because of lack of acknowledgment. I often see very artistic, creative and skilled people struggling to make ends meet as they desperately try to gain any considerable recognition. I have several artist friends who are very talented yet work low paying day jobs (for intrinsic psychological reasons), are therefore hardly able to pay their bills and often end up neglecting what’s so important to them, their art. This can turn into a vicious cycle, especially if they are soft spoken and timid. Self doubt and dwindling self esteem (self worth) are often the result.

What to do? Regarding my own friends I look for opportunities to express that their work is valuable to me and that they are valuable artists; their creations are no less admirable (valuable) than those of any other artist (including Renoir) and I frequently express this verbally as well as monetarily. Where appropriate I try to speak for them, presenting their work to others who may cherish it as well (and potentially commission their work). If you know fellow artists that lack attention and recognition can you think of ways to show them how you, personally, value them and their work? If they tend to be reticent it can help tremendously to speak for them at times, recommending and presenting their work to others. They are worth it – you are worth it.

For another interesting article concerning value and worth (from a business perspective, also helpful to artists) click here.

 

Photo: The photo used for this article is of the former Cominghome Interior showroom offering mid-century modern furniture (they’ve recently acquired a new showroom). Here, pieces that have been regarded as old and worthless by some find grateful new admirers and buyers. It was taken by me and I’ve added my personal vision to it via Photoshop to boost the mood and feel.

Alternate:Words

a different point of view