Archive for April, 2009

To be close to an elephant


22 Apr

To be close to an elephant, originally uploaded by Thorsten Becker.

Oh, to be close to an elephant, that creature grand and elegant, that wrinkled skin craggy and gray with a big heart beating like a drum, next to it I’d feel no ill nor glum. I want to be close to eyes searching man’s intent, eyes that see how often we’re bent on imposing our will and truss all the things surrounding us. I want to be close to mighty feet that do not trample for idle pleasure, I want to be close to such a measure, a treasure of true dignity. How can it be that such being here we see that posses’ so mighty a power yet is not inclined to mindlessly devour all that is in its path? It does not “throw around its weight”, does not easily fall into a provoked state. To such a creature I want to be near for there is no fear that it would ever crush the things I hold dear.

© Thorsten Becker

Please play those songs once more


22 Apr

Down that road
Dreams carried under their arms
Music in their souls
Dressed in fine clothes
Songs of bright days and pride ways
Here, in this tattered town
Of sun beaten whitewashed walls
And plenty of touristy stalls
They carry on in thoughts of yonder
“Where to?” I stand and wonder
Mariachis, por favor
Please play those songs once more
For I certainly care to listen
To the melodies that I’ve been missen
Because the noise of my “better life”
Keeps drowning out that desire to strife
For simpler things and thoughtful acts
Those basic facts
That life is not about how much we earn
But how much we yearn
To learn
About each other

© Thorsten Becker

The curious case of a little old book


16 Apr

Do you enjoy detective stories? Have you ever wanted to be a sleuth yourself? I can answer both questions with “yes”. Growing up I listened to quite a lot of audio books, mostly Three Investigators, Famous Five and TKKG. And of course I would go out and play sleuth myself. This fascination with finding things out, with researching and discovering clues led to working as a journalist for many years, writing all sorts of reviews, features and columns regarding computer software and technology. And to this day I research anything that sparks my interest. I have come across many interesting discoveries over the years but none quite compare to my latest.


“Then speak they, say they, tell they the Tale:”

In July 2008 I purchased an antique book titled “Aucassin and Nicolette” on eBay. It was not a deliberate purchase but rather one out of curiosity; I collect old books and frequently browse eBay to see if there is anything that sparks my interest and that I can get for a reasonable price. At that point I had never heard of this particular story and was interested in reading it as the listing described it as a poetic and romantic story from the 13th century. The seller also mentioned that it was made by the “Roycrofters” in Aurora, NY, as a limited edition, printed in 1899. I researched the publisher and learned that the owner, Elbert Hubbard, founded Roycroft Press (a business within the Roycrofters community) primarily to publish his own books (such as the “Little Journeys” series for which he could not find a publisher) but also created some very beautiful limited runs of various pieces of world literature (for example Heinrich Heine‘s “Book of Songs”). One of Hubbard’s most enduring works is his essay “A Message to Garcia”. He was also a primary driving force behind the Arts and Craft movement of the early 20th century and founded the Roycroft community as part of this movement. Sadly, he perished together with his wife, Alice Moore Hubbard, aboard the RMS Lusitania in 1915, the British ocean liner sunk by a German U-Boot. You can read more about Hubbard and the Roycrofters here.


“Then speak they, say they, tell they the Tale:”

When I received the book I foremost admired it’s craftsmanship and remarkable beauty. It is wrapped in very soft suede, embossed with the title characters on the cover, and has aged beautifully displaying an earthy green rub on the front and the back. The pages are printed on thick handmade paper which are stitched together and fastened with golden satin to the inside flaps. There are several hand illuminated initial letters which still look prestine, as if they were done yesterday. The book opens with the poem “Provencal Lovers” by Edmund Clarence Stedman, printed using green ink. Also, on the very first page is inscribed the name of the original owner, one Miss Josephine Harriott. And as I browsed through the pages a small card fell out, handwritten and signed by one Miss Clara Morris Harriott. I concluded that this book was a gift of the latter to her close relative but did not really read the card but rather stuck it back inside. As I was rather busy at work back then I decided to hold off on reading the story until I had sufficient time to appreciate it.

More time went by than I anticipated and the book remained in my nightstand for several months until I finally got around to read it, about a week ago. Naturally I did some research on it and found out that the story originated in France (orig. Aucassin et Nicolette). It is called a chante-fable or “sung story”, a combination of prose and song. This is clearly evident in the book as the prose is introduced via “Then speak they, say they, tell they the Tale:” while the songs, which immediately follow the prose parts, are indicated by “Here singeth one”. The author of the story is unknown and it is the only surviving chantfable despite the fact that it once was a rather popular literary tradition. “Aucassin and Nicolette” is considered a piece of romantic adventure (today’s The Princess Bride comes to mind). Wikipedia summarizes it as following:

The major characters are Garin, Count of Beaucaire, his son Aucassin, and Nicolette, a Saracen slave girl. Aucassin and Nicolette desperately want to marry, but Garin forbids it and imprisons the lovers, though they both eventually escape. After many romantic and occasionally farcical adventures, the young lovers are wed. Nicolette is revealed to be a Saracen princess of the noblest ancestry.

Many incidents in the story are clearly meant to be humorous, such as an encounter with a pregnant king, though there are occasional serious passages. At one point Aucassin participates in a ridiculous “war” in Torelore, which is fought with rotten crabapples, cheese, eggs, and mushrooms. On the other hand, Nicolette frequently faces real danger in the search for her lover. Perhaps comedy and seriousness merge most notably in Aucassin’s speech that he would prefer hell to heaven because hell’s inmates are likely to be more entertaining.

I very much enjoyed the story, I really felt transported to a time of chivalry and adventure, especially considering that it was written at exactly that time in history, probably by a minstrel who performed his work at various courts. As I read the story history came alive. It was all the more enchanting reading it in traditional verse – the Roycrofter’s version uses Andrew Lang‘s translation from 1887 which apparently is very close to the French original in its poetical structure. I highly recommend reading his version, though caution that one must be familiar with Shakespearean style English (Early Modern English) as it can otherwise become rather confusing.

After I finished reading the book I remembered the little card again which I had kept tucked away in the front. I pulled it out and tried to decipher the handwriting, which wasn’t too difficult. The note reads:

Dear Phine,

Thank you so much for your pretty art and gift and the mistletoe too. I am thankful to hear that brother Sam is doing so well – that’s the best gift of all – keep him out in the good sweet blessed air. May you all enjoy your trip.

My health is pretty bad – I never get one whole week without a break down of some sort!
Love and thanks dear and a Happy New Year to you all

Clara

There is also some printed text: Clara Morris Harriott, The Pines, Riverdale.

I figured I search the Internet to see if there is maybe any indication of who this Clara Morris Harriott may have been. I didn’t expect any results, after all this was a long time ago, the book was printed 1899 so I assumed the New Year mentioned may be 1900, and there would probably be no public records or articles anywhere. But I am a sleuth and I had to give it a try.


“Then speak they, say they, tell they the Tale:”

Lo and behold, there are articles. And more. It turned out Clara Morris Harriott was a famous actress in the late 1800s! I verified every detail, of which I had sufficient thanks to her little card. Yes, it was exactly this Clara – her husband Frederick (Fred), his sister Josephine (Phine) and his brother Samuel (Sam), Clara’s failing health, her residence at The Pines in Riverdale, NY, it was all right here. And so I went on to read about her life and struggle, her rise to fame, and eventual diminish, the books she’s written and her old age in poverty. And suddenly the already special book I purchased out of curiosity became a treasure that I would not want to miss anymore. It is now one of my most prized possessions on my bookshelf. One additional bit makes it all the more fascinating and that is that Oscar Wilde saw her on stage and proclaimed: “Miss Morris is the greatest actress I ever saw, if it be fair to form an opinion of her from her rendition of this one role. … We have no such powerfully intense actress in England. She is a great artist, in my sense of the word, because all she does, all she says, in the manner of the doing and of the saying constantly evokes the imagination to supplement it. That is what I mean by genius. We have no one like her.” Oscar Wilde is one of my wife’s favorite writers!

If you like to learn more about Clara Morris Harriott as well as see pictures of her please have a look at this very encompassing biography. There is also a recount of her meeting John Wilkes Booth, Lincoln’s assassin.

We may forget, but paper doesn’t. Keep this in mind, especially in this evermore virtual world of ours. eBooks cannot be signed, dedicated, special, limited or ever contain such special little mementos.

I’ve also posted a follow-up titled “The curious case of a little of book – Part 2″. You can read it here.

Prologue


08 Apr

A book can’t crash, originally uploaded by Thorsten Becker.

I stare into the void. It is a strange and peculiar void, one that is a perfect flat surface, radiating brilliantly with millions of colors, assaulting my senses, overwhelming my eyes, burning deep into my retina. I am transfixed but I cannot connect, I cannot feel, cannot touch. My fingers run like figures in a video game over little bouncy platforms. Words appear in the void, perfectly formed, symmetrical, smooth, liberated from sloppiness and lazy loops. They are my words but they are not mine, not truly fully part of me. I sit in front of the void like a prisoner sits in front of the glass separating him from a visitor on the other side. I reach out. I want to touch the words but I am afraid I may break the void. So I keep my distance while my senses try to comprehend the texture of the void, of this virtual ink and paper.

What does virtual ink feel like? I close my eyes, just for a moment, I imagine, I wonder. And as I open my eyes again the void has, as so many times before, abducted my words and thrown them into the abyss. My heart is racing and in my mind I form razer sharp one and two syllable darts and knifes which I throw at the void. But the void does not care, does not repent of its action, does not bring my words back. I hunch over, I tilt my head, I lean to the left and speak soundless phrases of lamentation. And as I do so, as I try to negotiate with the void, try to plead to have my words back I see a book, a book I’ve recently placed next to the void so that I may show it to the void and have the void teach me about it. It is an old book full of yellowed and soiled pages, tattered and beaten yet beautifully so. I touch the cover, I flip it over and my senses spark. I feel. I look at the now open book as if I’ve opened a treasure chest. I glance upon those pages filled with deep dark ink. I touch the paper, I run my fingers over the words. They call out to me and I, I answer. I read, I feel, I listen to the stories that rise from the pages like butterflies, tenderly fluttering around my head, caressing my mind, echoing in my soul. I think and feel and contemplate.

Time passes, carrying me like a passenger on a train to lands far beyond the horizon. Now there is no void, there is no light that burns my eyes. No wondering about meaning, ulterior goals, questioning the truth, no double entendre, no ruse, no phrase abused, misused. Just the beauty of flowing words, the romance of letters, of paragraphs singing like birds. “I listen, I listen,” I repeat as if in trance. In perfect harmony they dance. My eyes go forth and they embrace their every rhyme and reason, oh what grace. And as I emerge from literary waters deep I feel alive, liberated of that void, that wretched place.

Tis here my friend that I ask you to listen
Don’t be rash
Do take time for reminiscing
For a book can’t crash

© Thorsten Becker

As much as I enjoy and appreciate computers and the ease of writing and reading they offer there is one fact that will always remain true: a book can’t crash. Unlike that fantastical virtual library a book will not suddenly corrupt and lose all its content. I will always cherish my library of real books. So here is my ABC – A Book can’t Crash. If you haven’t done so in a while I recommend no, I urge you to step away from “the void” and read a book (paper, not Kindle) or sit down and write into a paper journal.

For a definition of prologue please click here.

The curious starlings


08 Apr

The curious starlings, originally uploaded by Thorsten Becker.

Standing on our feets
Waiting here for all those peeps
Who will feed us treats

© Thorsten Becker

These curious European Starlings can be found right outside the Amsterdam train station. While starlings are usually skittish these have become so used to people that they can be hand-fed.

Alternate:Words

a different point of view