Yearly Archives: 2008

Memories almost lost

Mem­o­ries almost lost, orig­i­nally uploaded by Thorsten Becker. As the mists of Avalon envelop the land specters of the past appear in the dis­tance, dance amongst the trees, tell of honor and love, chivalry and duty, anger and betrayal, hope lost and found – mem­o­ries of the past, mem­o­ries almost lost. © Thorsten Becker

Simplicity

Sim­plic­ity, orig­i­nally uploaded by Thorsten Becker. Care­fully study sim­plic­ity. Intently focused on its speci­ficity You will find mag­nif­i­cent felic­ity. © Thorsten Becker

Gently aglow

Gen­tly aglow, orig­i­nally uploaded by Thorsten Becker. Sun­light floods the room Touch­ing daf­fodils in bloom, Set­ting them gen­tly aglow. © Thorsten Becker

Akitsu

Akitsu, orig­i­nally uploaded by Thorsten Becker. On akitsu’s back Fly to Akit­sushima, The drag­on­fly island. © Thorsten Becker From Chevron Cars (with addi­tional links to Wikipedia): On the other side of the world, a leg­end tells of the first Japan­ese emperor, Jimmu Tenno. He climbed to the top of the high­est peak in Japan and

Heaven’s book of stories

Heaven’s book of sto­ries, orig­i­nally uploaded by Thorsten Becker. Open heaven’s book of sto­ries, See fan­tas­tic faces and places, Traces Of your imag­i­na­tion Man­i­fest­ing In won­drous spaces. © Thorsten Becker A homage to Jean-Pierre Jeunet’s movie Amélie.

Perception-in-action

Perception-in-action, orig­i­nally uploaded by Thorsten Becker. How big is great? How far is far­ther? How close is near? How deep is under­stand­ing? Let your eyes rest on a small chair and expe­ri­ence perception-in-action. The chair in the pic­ture is a mere 2.5 inches tall (7 cm), a model of an Eames Eif­fel Chair with wooden

Levels of existence

Lev­els of exis­tence, orig­i­nally uploaded by Thorsten Becker. That which we per­ceive And that which we achieve Depend on how much we believe. Lev­els of exis­tence, Lev­els of per­sis­tence, Lev­els of resis­tance. How much we do require assis­tance With things we don’t know And things we won­der how. © Thorsten Becker